Vicious Lies And Dangerous Rumors Rapidshare

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Listen to Vicious Lies and Dangerous Rumors (Deluxe) now. Listen to Vicious Lies and Dangerous Rumors (Deluxe) in full in the Spotify app. Play on Spotify.

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Is known for his voracious, omnivorous listening habits and willingness to abandon his most successful musical formulas. Since he's spent the last few years sharing festival stages with indie rock and electronic acts, it makes some sense that he might want to make a record influenced by indie rock and electronic music. So here on his second proper solo album, he's exchanged the deep, dirty funk of 2010's and his half of nearly decade-old double solo LP for collaborations with artists like,,. Vicious Lies and Dangerous Rumors is on the one hand a genre-busting statement of artistic restlessness but it's also a mess. You can try looking at it from a few different angles: as an outgrowth of rap's artsy ambitions, a compilation of indietronic-rap fusion tied together by one voice, or even simply as the new Big Boi record. But each approach carries its own particular set of frustrations when confronted with the 17-track whole. Some of its weakest moments are actually the ones with the most potential.

Teaming up with and Phantogram on 'Lines', for instance, makes good sense on paper. Rocky's among the most successful of the current crop of upstart boundary-pushing rappers and Phantogram (who contribute to three of the album's tracks) have demonstrated an ability to infuse traditional pop structures with a sonically adventurous spirit. But the finished product refuses to cohere into the quasi-ambient electro-pop-rap gestalt the line-up promises. The rappers' verses and Sarah Barthel's breathy, multi-tracked choruses basically stand politely next to each other without interacting in any meaningful way. Other questionable team-ups fare much worse, like the lineup of Big Boi, pop-rapper B.o.B., and snotty surf-pop savant Nathan Williams of Wavves on 'Shoes for Running'.